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Morale & the Big Steppers. Describing his response, the journalist of the piece wrote: “his answer was immediate: 'One particular young lady,' he said, referring to Alford. But now Kendrick, 37, is headlining the halftime as the main act.
Having released his first album back in 2011, his fiancée Whitney has been by his side every step of the way.
He also mixes up his relatives' preferred pronouns, and he "deadnames" them — using names that they no longer use.
He does the same to Caitlyn Jenner, the Olympic gold medalist, reality TV star, and erstwhile candidate for governor in California.
"That felt jarring," Willis said.
‘She's been here since Day 1.’”
One year later, he revealed that he’d got engaged as he responded to rumours of a proposal. She was booed and Lamar gently but sternly lectured her onstage — and apparently has come to think twice about what he said at the time.
Mistakenly I didn’t think you’d know any different
See, I was taught words was nothing more than a sound
If everything was pronounced without any intentions
The very second you challenge the shit I was kicking
Reminded me about a show I did out the city
That time I brung a fan on stage to rap
But disapproved the word that she couldn’t say with me
You said “Kendrick, ain’t no room for contradiction
To truly understand love, switch position
‘F—-t, f—-t, f—-t,’ we can say it together
But only if you let a white girl say ‘N—a'”
features Lamar rapping in the first person about how he learned to embrace his family members' gender transitions.
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While the song itself commits some language missteps, such as deadnaming and misgendering, it can be argued that the self-reflection, growth and learning shown through Lamar’s lyrics are a positive step for a leader in the hip hop community.With thanks to Genius.com for the lyric transcription, the song begins:
My auntie is a man now
I think I’m old enough to understand now…
I watch him and his girl hold their hands down
Tip of the avenues under street lights made his
Thinking, “I want me a bad bitch when I get big”…
My auntie is a man now
Asked my momma why my uncles don’t like him that much
And at the parties why they always wanna fight him that much
She said “Ain’t no telling
N—-s always been jealous because he had more women
More money and more attention made more envy
Calling him anything but broke was less offending”
In the second verse, he drops the F-word.
Back when it was comedic relief to say “F—-t”
“F—-t” “F—-t” “F—-t”, we ain’t know no better
Elementary kids with no filter however…
She wasn’t gay, she ate p—y, and that was the difference
That’s what I told my friends in second grade
She picking me up from school, they stare at her in the face
They couldn’t comprehend what I grew accustomed…
My auntie was a man now, we cool with it
The history had trickled down and made us ign’ant
In verses 3 and 4, we see the return of the Demetrius, mentioned way back on Lamar’s 2012 major-label debut, “Good Kid, M.A.A.D City,” who may or may not be the aunt in the song — and later has a Caitlyn Jenner reference.
Demetrius is Mary-Ann now
He’s more confident to live his plan now
But the family in disbelief this time
Convincing themselves “He ain’t living discreet, he’s fine”
They said they never seen it in him, but I seen it
The Barbie dolls played off the reflection of Venus
He built a wall so tall you couldn’t climb over
He didn’t laugh as hard when the kids start joking…
I had to be very mindful of my good cousin
I knew exactly who he was but I still loved him
Demetrius is Mary-Ann now
I mean he’s really Mary-Ann, even took things further
Changed his gender before Bruce Jenner was certain
Living his truth even if it meant see a surgeon
The final two verses bring religion into the equation, and revive the recurring “I knew you was conflicted” line from “DAMN.”:
More spiritual when these dudes were living life straight
Which I found ironic ’cause the pastor didn’t see him the same
He said my cousin was going through some things
He promised the world we living in was an act on abomination
And Demetrius was to blame
I knew you was conflicted by the feelings a preacher made
Wondering if God still call you a decent man…
I said “Mr.
He also gushed over Whitney, calling her his “best friend” during a heartwarming interview with Billboard.
“I wouldn’t even call her my girl,” he said. “Whitney in the video crip walking,” Kendrick said as he collected his award. After becoming friends, Kendrick and Whitney later became a couple as teens.
READ MORE: Super Bowl 2025 'ring of steel' as Donald Trump and Taylor Swift spark unprecedented security“Everybody that's been around me has been around since Day 1 and I can't change that.
I hope to be an asset to my community through my work with Love + Ethos.”
Watch the Super Bowl live for 99p
This article contains affiliate links, we will receive a commission on any sales we generate from it. To critics, the problems begin with the first line of the first verse: "My auntie is a man now."
" 'Auntie Diaries' is really about Kendrick's relationship with — not actually his auntie — but really his uncle," said Raquel Willis, an author, activist and former executive editor of Out magazine.
Speaking to Morning Edition co-host Rachel Martin, Willis said she understood Lamar's intention of "reckoning with both homophobia and transphobia, particularly within the Black community," but found his execution confusing.
"We've got to move beyond this getting-the-names-right, getting-the-pronouns-right conversation."
The LGBTQ rights group Freedom For All says hundreds of anti-LGBTQ bills have gone before state legislatures in 2022.
Content Original Link:
https://www.npr.org/2022/05/19/1099997253/kendrick-lamar-s-song-auntie-diaries-has-divided-the-lgbtq-community
Kendrick Lamar's relationship with school sweetheart fiancée at centre of Drake feud
Super Bowl halftime performer Kendrick Lamar has previous called his fiancée Whitney Alford his "best friend" after revealing she is someone he "can tell my fears to"
As Kendrick Lamar returns to the Super Bowl stage, one person in particular who’ll be cheering him on is his fiancée Whitney Alford.
With last year’s Super Bowl being watched by an average of 123.4 million people in the US, performing at the event is something many artists aspire to - though Kendrick is no stranger to the iconic stage.
Back in 2022, the Humble hitmaker joined the likes of Eminem, Snoop Dogg, Mary J Blige and Dr Dre for a 14-minute set that was bursting with hits. It’s a characteristic that appears frequently in his work, particularly on his deep and dense new album, “Mr. Morale & the Big Steppers,” which arrived late Thursday some five years after his Pulitzer Prize-winning 2017 album “DAMN.,” and particularly on the song “Auntie Diaries,” which is a topic that few rappers have addressed at all, let alone with empathy.
In the song, Lamar describes the journey of a family member who transitioned, and speaks of his challenges with it but primarily concludes that he loves his family and defends it to his friends.
He also effectively equates the politics and emotions behind slurs, particularly the n-word and the f-word, and points a finger at himself for not fully understanding the distinction when he brought a white girl onstage to rap one of his verses at the Hangout festival in 2018, and she used the N-word, as he does in the song.
I don't change for nobody,” the musician told Power 105.1.
Kendrick Lamar’s ‘Auntie Diaries’ Is a Powerful, Genre-Shifting Statement on Transphobia
One of Kendrick Lamar’s great strengths as a rapper is his ability to acknowledge and criticize his own biases and prejudices and not place himself above the people he’s singling out.
“We gon’ dedicate that one.”
In between juggling her busy lifestyle as a mum to two youngsters, Whitney is the founder of the LA-based non-profit organisation, Love + Ethos. “People that have been by your side - you're supposed to honour that.”
Meanwhile, during an interview with New York Times Magazine in 2014, Kendrick was asked which influential person on his phone had “the power to call him out”.
The laws of the land or the heart, what's greater?"
Some on social media have praised "Auntie Diaries" for using real vernacular to depict personal growth, but Willis says greater artistic rewards lie beyond a cisgender man's journey to acceptance.
"I would be more impressed for him to talk about the epidemic of violence in which it's largely Black, cisgender men, killing Black and brown trans women, or talking about the numerous bills, moving around the country, to restrict our rights," she said.